Riva TNT 16MB, brand name Elsa, card called Erazor.

Good on this kid for going to such lengths to verify his hypothesis and show a serious weakness in railway infrastructure. I hope he goes on to become a serious railway enthusiast and advocate for safe, efficient rail.

However, there are way too many factors in the number of derailments and safety incidents in US rail operations to pin them down to this one issue. Once the major operators embarked on a journey to squeeze more and more money out of the business, a lot of things happened. Trains became longer - excessively so. Used to be that a train 1.4 miles long was considered massive. These days they are the norm. Can you imagine a train so long that, in hilly terrain, sections of it are being dragged uphill while other sections are pushing downhill?

Reductions in staff, motive power fleets and maintenance have led to trains being badly composed, with loads being distributed in a less than optimal way. An old railway man once told me that the only time he broke a train was when he, in a rush and under pressure, agreed to attach a rake of fully loaded freight cars to the end of a train of empties. Unequal load distribution played a role in a number major derailment incidents, among them a derailment in Hyndman, PA, which required the town to be evacuated for several days.

ProPublica have a series of articles regarding rail safety, and specifically one about the dangers of long trains. So while the worn out springs certainly don’t help, they are only one of many things that are impacting rail safety, and probably not even the lowest hanging fruit.

By that token, I would also recommend the one-season X-Files spin-off ‘The Lone Gunmen’. It can come across as a bit hokey for the first few episodes, but they found their pace and it became really enjoyable. I don’t think it was ever meant to be more than a single - and, by then-current standards, short - season but I really enjoyed it. The show blended the comic relief of the three geeks from the main series with some more serious storytelling and even had an episode with a plot that resembled a later real-life world-changing event.

I had lots of time to play games, but not a lot of money to buy games.

Now it’s the other way round.

If I could bring back anything from back then, it’s boxed PC games that can be resold and traded. Covered a lot of my gaming needs from second hand shops.

The USB transfer speed claim is misleading to say the least. The iPhone 15 was already capable of up to 10Gbps transfer speed (USB 3.0 support). You could quibble over the fact that the included cable didn’t support that (if only the USB-IF could get its shit together), but to claim the hardware doesn’t support it is a lie.

Also, non-US iPhones support both physical SIM and eSIM.

And yet every time Apple announce a new product or feature, Android fans are here with their ‘welcome to the past’ memes.

Sure, training data selection impacts the output. If you feed an AI nothing but anime, the images it produces will look like anime. If all it knows is K-pop, then the music it puts out will sound like K-pop. Tweaking a computational process through selective input is not the same as a human being actively absorbing stimuli and forming their own, unique response.

AI doesn’t have an innate taste or feeling for what it likes. It won’t walk into a second hand CD store, browse the boxes, find something that’s intriguing and check it out. It won’t go for a walk and think “I want to take a photo of that tree there in the open field”. It won’t see or hear a piece of art and think “I’d like to be learn how to paint/write/play an instrument like that”. And it will never make art for the sake of making art, for the pure enjoyment that is the process of creating something, irrespective of who wants to see or hear the result. All it is designed to do is regurgitate an intersection of what it knows that best suits the parameters of a given request (aka prompt). Actively learning, experimenting, practicing techniques, trying to emulate specific techniques of someone else - making art for the sake of making art - is a key component to humans learning from others and being influenced by others.

So the process of human learning and influencing, and the selective feeding of data to an AI to ‘tune’ its output are entirely different things that cannot and should not be compared.

Generative AI is not ‘influenced’ by other people’s work the way humans are. A human musician might spend years covering songs they like and copying or emulating the style, until they find their own style, which may or may not be a blend of their influences, but crucially, they will usually add something. AI does not do that. The idea that AI functions the same as human artists, by absorbing influences and producing their own result, is not only fundamentally false, it is dangerously misleading. To portray it as ‘not unethical’ is even more misleading.

Re 1, 3 and 5, maybe it is upon the AI projects to stop providing shiny solutions looking for a problem they could solve, and properly engaging with potential customers and stakeholders to get a clear understanding of the problems that need solving.

This was precisely the context of a conversation I had at work yesterday. Some of our product managers attended a conference that was rife with AI stuff, and a customer rep actually took to the stage and said ‘I have no need for any of that because none of it helps me solve the problems I need to solve.’

Railway and train modellers, of all scales. To their credit, a fair fee people are becoming more open, but especially modelling clubs are often run by old white men with questionable politics and problematic behaviours. They will sneer at anything that’s not steam, or at people who run modern instead of vintage trains, or who don’t get a train model exactly right the way the original ran that one time in the mid 50s from Bumfuck, Idaho to the middle of nowhere. They have little patience for newbies who might not have internalised all the lingo, or who might need something explained in simple English. If you build something that is not an exact replica of a real world location, they’ll say you’re not doing model railway, but merely toy trains. And then these same people go and wonder why they can’t attract new people to the hobby.

I don’t have a lot of comparisons to dubs in other languages, but most german dubs I know are average at best. The biggest problem is that they often pick voice actors who just don’t suit the character or the original actor. The stilted reading/talking is another issue, which is also often present in original German productions.

As an older metalhead, this makes me a bit sad, but I guess I shouldn’t be too surprised. The metal scene I joined in the early 90s did have its tolerance problems specifically against other music genres, but I never knew it as particularly gatekeepy, at least the circles I socialised with and the concerts and festivals I went to. There were some people who though you weren’t a real metal fan if you didn’t exclusively listen to metal, but they were a minority. Nobody had a problem with me not particularly liking Slayer or Motörhead, and there was no requirement to have long hair and be covered in leather and/or band patches.

I once slept in a hotel room where the TV had a blue LED standby light. I had to go and cover it up, it was way too bright.